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Nominados a los International Film Music Critics Association Awards

Por Javier Navío - 05/02/22 8 Comentarios


- James Newton Howard y Hans Zimmer son los compositores más nominados con cuatro candidaturas
- Los ganadores se anunciarán el 17 de febrero

BANDA SONORA DEL AÑO 
• COPPELIA, music by Maurizio Malagnini
• DUNE, music by Hans Zimmer
• THE GREEN KNIGHT, music by Daniel Hart
• JUNGLE CRUISE, music by James Newton Howard
• THE LAST DUEL, music by Harry Gregson-Williams

COMPOSITOR DEL AÑO
• PANU AALTIO
• NICHOLAS BRITELL
• JONNY GREENWOOD
• JAMES NEWTON HOWARD
• HANS ZIMMER

COMPOSITOR REVELACIÓN
• AMIE DOHERTY
• STEPHANIE ECONOMOU
• OSCAR MARTÍN LEANIZBARRUTIA
• ARTHUR SHARPE
• RAPHAELLE THIBAUT

MEJOR COMPOSICIÓN DEL AÑO
• “Arachnoverture” from SPIDER-MAN: NO WAY HOME, music by Michael Giacchino
• “Claret, Tema Principal” from CLARET, music by Oscar Martín Leanizbarrutia
• “The Final Battle” from MY COUNTRY, MY PARENTS [WO HE WO DE FUBEI], music by Gordy Haab
• “Grand Finale” from COPPELIA, music by Maurizio Malagnini
• “Riddles” from BUCKLEY’S CHANCE, music by Christopher Gordon

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
• BUCKLEY’S CHANCE, music by Christopher Gordon
• THE CURSE OF TURANDOT [TULANDUO: MOZHOU YUANQI], music by Simon Franglen
• THE LAST DUEL, music by Harry Gregson-Williams
• THE POWER OF THE DOG, music by Jonny Greenwood
• SPENCER, music by Jonny Greenwood

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
• CRUELLA, music by Nicholas Britell
• DÉLICIEUX, music by Christophe Julien
• DON’T LOOK UP, music by Nicholas Britell
• THE FRENCH DISPATCH, music by Alexandre Desplat
• THE POTATO VENTURE [PERUNA], music by Panu Aaltio

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
• GUNPOWDER MILKSHAKE, music by Frank Ilfman
• JUNGLE CRUISE, music by James Newton Howard
• THE KING’S MAN, music by Matthew Margeson and Dominic Lewis
• LAST NIGHT IN SOHO, music by Steven Price
• NO TIME TO DIE, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
• COPPELIA, music by Maurizio Malagnini
• DUNE, music by Hans Zimmer
• GHOSTBUSTERS: AFTERLIFE, music by Rob Simonsen
• THE GREEN KNIGHT, music by Daniel Hart
• SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
• ENCANTO, music by Germaine Franco
• LUCA, music by Dan Romer
• RAYA AND THE LAST DRAGON, music by James Newton Howard
• SPIRIT UNTAMED, music by Amie Doherty
• WISH DRAGON, music by Philip Klein

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
• THE ARCTIC: OUR LAST GREAT WILDERNESS, music by Alex Heffes
• JULIA, music by Rachel Portman
• A PERFECT PLANET, music by Ilan Eshkeri
• QINGHAI: OUR NATIONAL PARK [QINGHAI: WOMEN DE GUOJIA GONGYUAN], music by Chad Cannon
• TALE OF THE SLEEPING GIANTS [TUNTURIN TARINA], music by Panu Aaltio

MEJOR BANDA SONORA EN SERIE DE TV
• COBRA KAI, music by Leo Birenberg and Zach Robinson
• FOUNDATION, music by Bear McCreary
• LOKI, music by Natalie Holt
• LOST IN SPACE, music by Christopher Lennertz
• MASTERS OF THE UNIVERSE: REVELATION, music by Bear McCreary

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
• ARK: GENESIS PART II, music by Gareth Coker
• CALL OF DUTY: VANGUARD, music by Bear McCreary
• GHOST OF TSUSHIMA: IKI ISLAND & LEGENDS, music by Chad Cannon and Bill Hemstapat, theme by Ilan Eshkeri
• MARVEL’S GUARDIANS OF THE GALAXY, music by Richard Jacques
• RATCHET & CLANK: RIFT APART, music by Mark Mothersbaugh and Wataru Hokoyama


MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 
• THE DIARY OF ANNE FRANK, music by Alfred Newman; album produced by Nick Redman, Mike Matessino, and Neil S. Bulk; liner notes by Julie Kirgo; album art direction by Jim Titus (La-La Land)
• THE EIGER SANCTION, music by John Williams; album produced by Mike Matessino; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
• LEGEND, music by Jerry Goldsmith; album produced by Cyril Durand-Roger, Laurent Lafarge, Reynold d’Silva, and David Stoner; liner notes by Jeff Bond; album art direction by David Marques (Music Box/Silva Screen)
• LIONHEART, music by Jerry Goldsmith; album produced by Cary Mansfield; liner notes by Tim Grieving; album art direction by Bill Pitzonka (Varèse Sarabande)
• THE TAMARIND SEED, music by John Barry; album produced by Geoff Leonard, Pete Walker, Ruud Rozemeijer, David Stoner, and Reynold d’Silva; liner notes by Geoff Leonard and Pete Walker; album art direction by Stuart Ford (Silva Screen)

MEJOR COMPILACIÓN 
• THE FILM SCORES OF BERNARD HERRMANN, music by Bernard Herrmann; album produced by Tony d’Amato, Gavin Barratt, Raymond Few, and Tim McDonald; liner notes by Tom Schneller; album art direction by Matt Read (Phase 4/Deutsche Grammophon)
• GABRIEL YARED: MUSIC FOR FILM, music by Gabriel Yared; the Brussels Philharmonic Orchestra and Vlaams Radiokoor. conducted by Dirk Brossé; album produced by Thomas Van Parys and Marijke Vandeburie; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)
• PEDRO ALMODÓVAR & ALBERTO IGLESIAS FILM MUSIC COLLECTION, music by Alberto Iglesias; album produced by José M. Benitez and Alberto Iglesias; liner notes by Pedro Almodóvar, Alberto Iglesias, and Manuel J. Lombardo; album art direction by Nacho B. Govantes and Luca Barcellona (Quartet/El Deseo)
• THE PINK PANTHER FINAL CHAPTERS COLLECTION (TRAIL OF THE PINK PANTHER/CURSE OF THE PINK PANTHER/SON OF THE PINK PANTHER), music by Henry Mancini; album produced by Chris Malone; liner notes by John Takis; album art direction by Nacho B. Govantes. (Quartet)
• SPOTLIGHT ON JOHN WILLIAMS, music by John Williams; the City Light Symphony Orchestra, conducted by Kevin Griffiths; album produced by Pirmin Zängerle and Martin Korn; liner notes by Basil Böhni; album art direction by Roger Krütli (Prospero Classical)

MEJOR COMPAÑÍA DISCOGRÁFICA
• INTRADA, Douglass Fake and Roger Feigelson
• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
• MOVIESCORE MEDIA, Mikael Carlsson
• MUSIC BOX, Cyril Durand-Roger and Laurent Lafarge
• QUARTET RECORDS, José M. Benitez

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8 comentarios to ''Nominados a los International Film Music Critics Association Awards"

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  1. Estos premios aman a James Newton Howard y Hans Zimmer

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  2. Entra Jungle Cruise al último termómetro?

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  3. Pues para autodenominarse 'international' se quedan bastante cortos.

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  4. En mejor composición del año hay un nominado español. La película es horrible, Claret.

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  5. No veo lo internacional jejeje

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  6. Entren a la página de los premios para que entiendan lo internacional. Además, comparando otros premios similares, estos cada año prestan atención a músicos de otros países.
    Lo que es hablar por hablar.

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  7. No entiendo los comentarios. Estos premios los conceden los críticos especializados en bandas sonoras, liderados entre otros por MundoBSO, página web española sobre bandas sonoras con más de 33.000 fichas. Estos premios no los dan cuatro mataos. Aquí os dejo un artículo sobre la presencia española en los IFMCA, que es del 14%. https://www.mundobso.com/editorial/ifmcas-con-mas-espanoles

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