Ganadores de los premios de la Cinema Audio Society

- 'Oppenheimer' se lleva el premio de los mezcladores de sonido

- Solamente había dos coincidencias entre el quinteto de la CAS y el Oscar al mejor sonido

MEJOR SONIDO EN PELÍCULA DE ACCIÓN REAL

“Barbie” – Production Mixer – Nina Rice Re-Recording Mixer – Kevin O’Connell CAS Re-Recording Mixer – Ai-Ling Lee CAS Scoring Mixer – Peter Cobbin Scoring Mixer – Kirsty Whalley ADR Mixer – Bobby Johanson CAS Foley Mixer – Kevin Schultz

“Ferrari” – Production Mixer – Lee Orloff CAS Re-Recording Mixer – Andy Nelson CAS Re-Recording Mixer – Tony Lamberti Re-Recording Mixer – Luke Schwarzweller CAS Scoring Mixer – Andrew Dudman ADR Mixer – Matthew Wood Foley Mixer – Giorgi Lekishvili

“Killers of the Flower Moon” – Production Mixer – Mark Ulano CAS Re-Recording Mixer – Tom Fleischman CAS Re-Recording Mixer – Eugene Gearty Foley Mixer – George A. Lara CAS

“Maestro” – Production Mixer – Steven A. Morrow CAS Re-Recording Mixer – Tom Ozanich Re-Recording Mixer – Dean A. Zupancic Scoring Mixer – Nick Baxter ADR Mixer – Bobby Johanson CAS Foley Mixer – Walter Spencer

“Oppenheimer” – Production Mixer – Willie D. Burton CAS Re-Recording Mixer – Gary A. Rizzo CAS Re-Recording Mixer – Kevin O’Connell CAS Scoring Mixer – Chris Fogel CAS Foley Mixer – Tavish Grade Foley Mixer – Jack Cucci Foley Mixer – Mikel Parraga-Wills

MEJOR SONIDO EN PELÍCULA DE ANIMACIÓN

“Elemental” – Original Dialogue Mixer – Vince Caro CAS Original Dialogue Mixer – Paul McGrath CAS Re-Recording Mixer – Stephen Urata Re-Recording Mixer – Ren Klyce Scoring Mixer – Thomas Vicari CAS Foley Mixer – Scott Curtis

“Spider-Man: Across the Spider-Verse” – Original Dialogue Mixer – Brian Smith Original Dialogue Mixer – Aaron Hasson Original Dialogue Mixer – Howard London CAS Re-Recording Mixer – Michael Semanick Re-Recording Mixer – Juan Peralta Scoring Mixer – Sam Okell Foley Mixer – Randy K. Singer CAS

“Teenage Mutant Ninja Turtles: Mutant Mayhem” – Original Dialogue Mixer – Doc Kane CAS Re-Recording Mixer – Michael Semanick Re-Recording Mixer – Mark Mangini Scoring Mixer – Trent Reznor Scoring Mixer – Atticus Ross ADR Mixer – Chris Cirino Foley Mixer – Chelsea Body

“The Boy and the Heron” – Original Dialogue & Re-Recording Mixer – Kôji Kasamats

“The Super Mario Bros. Movie” – Original Dialogue Mixer – Carlos Sotolongo CAS Re-Recording Mixer – Pete Horner Re-Recording Mixer – Juan Peralta Scoring Mixer – Casey Stone CAS ADR Mixer – Doc Kane CAS Foley Mixer – Richard Durante

MEJOR SONIDO EN PELÍCULA DOCUMENTAL

“32 Sounds” – Production Mixer – Laura Cunningham Re-Recording Mixer – Mark Mangini Scoring Mixer – Ben Greenberg ADR Mixer – Bobby Johanson CAS Foley Mixer – Blake Collins CAS

“American Symphony” – Re-Recording Mixer – Tom Paul Re-Recording Mixer – Tristan Baylis Foley Mixer – Ryan Collison

“Little Richard: I Am Everything” – Re-Recording Mixer – Tom Paul

“Still: A Michael J. Fox Movie” – Re-Recording Mixer – Skip Lievsay CAS Re-Recording Mixer – Paul Urmson Re-Recording Mixer – Joel Dougherty Scoring Mixer – John Michael Caldwell Foley Mixer – Micah Blaichman

“Taylor Swift: The Eras Tour” – Production Mixer – Jacob Farron Smith CAS Re-Recording Mixer – John Ross CAS Re-Recording Mixer – David Payne Re-Recording Mixer – Christopher Rowe

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