James Mangold and Jay Cocks for A Complete Unknown, adapted from Elijah Wald’s nonfiction book “Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties”
Peter Straughan for Conclave, based on the novel by Robert Harris
RaMell Ross and Joslyn Barnes for Nickel Boys, an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel “The Nickel Boys”
Clint Bentley and Greg Kwedar (screenplay and story) and Clarence Maclin and John “Divine G” Whitfield (story) for Sing Sing, drawn from John H. Richardson’s Esquire article “The Sing Sing Follies”
Chris Sanders and Peter Brown for The Wild Robot, based on Peter Brown’s beloved children’s book of the same name
Richard Gadd for the sixth episode of Baby Reindeer, adapted from his stage play
Steven Zaillian for the fifth episode of Ripley, based on Patricia Highsmith’s “The Talented Mr. Ripley”
Joshua Zetumer for “The People in the Dirt” from Say Nothing, inspired by Patrick Radden Keefe’s nonfiction book “Say Nothing: A True Story of Murder and Memory in Northern Ireland”
Rachel Kondo and Justin Marks for “Anjin,” the premiere episode of Shōgun, based on James Clavell’s novel.
Will Smith for “Hello Goodbye” from Slow Horses, adapted from Mick Herron’s novel “Spook Street”
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