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Ganadoras de los premios del Women Film Critics Circle

Por Javier Navío - 21/12/22 2 Comentarios



- 'Al descubierto' y 'Ellas hablan' se reparten los dos premios principales
- 'Blonde' es machacada en las categorías negativas

MEJOR PELÍCULA SOBRE MUJERES
She Said
The Woman King
Till
Women Talking (Runner-Up)

MEJOR PELÍCULA DIRIGIDA POR UNA MUJER
Don’t Worry Darling – Olivia Wilde
Till – Chinonye Chukwu (Runner-Up)
The Woman King – Gina Prince-Bythewood (Runner-Up)
Women Talking – Sarah Polley

MEJOR ACTRIZ
Vicky Krieps – Corsage
Michelle Yeoh – Everything Everywhere All at Once
Danielle Deadwyler – Till (Runner-Up)
Cate Blanchett – TAR

MEJOR ACTOR
Colin Farrell – The Banshees of Inisherin (Runner-Up)
Ke Huy Quan – Everything Everywhere All at Once
Bill Nighy – Living
Brendan Fraser – The Whale

MEJOR GUIONISTA FEMENINA
Rebecca Lenkiewicz – She Said (Runner-Up)
Emma Donoghue  – The Wonder
Dana Stevens (and Maria Bello, story) – The Woman King
Sarah Polley – Women Talking

MEJOR PAREJA EN PANTALLA
Olivia Colman and Micheal Ward – Empire of Light
Michelle Yeoh and Ke Huy Quan – Everything Everywhere All at Once
Kevin Kline & Sigourney Weaver – The Good House (Runner-Up)
Emma Thompson and Daryl McCormack – Good Luck To You, Leo Grande

MEJOR PELÍCULA EXTRANJERA DIRIGIDA POR UNA MUJER O SOBRE MUJERES
Corsage (Runner-Up)
Girl
Happening
Murina
Rickshaw

MEJOR PELÍCULA DOCUMENTAL DIRIGIDA POR UNA MUJER O SOBRE MUJERES
Aftershock
Gabby Giffords Won’t Back Down
The Janes
Lucy and Desi (Runner-Up)

MEJOR IGUALDAD DE SEXOS
Black Panther: Wakanda Forever (Runner-Up)
Fire of Love
Good Luck To You, Leo Grande
The Woman King

MEJOR MUJER ANIMADA
Izzy Hawthorne – Lightyear (Runner-Up)
Belle Bottom – Minions: The Rise of Gru
Meilin – Turning Red

MEJOR SERIE
Dead to Me (Runner-Up)
The Handmaid’s Tale
Julia (Runner-Up)
Yellowjackets

ADRIENNE SHELLY AWARD 
(A la película que más se opone a la violencia de género)
Don’t Worry Darling
Holy Spider
She Said (Runner-Up)
Women Talking

JOSEPHINE BAKER AWARD 
(A la mejor película sobre mujeres de color)
Alice
Master
Nanny (Runner-Up)
Till

KAREN MORLEY AWARD 
(A la mejor película que reivindica el lugar de una mujer en la historia)
Alice
The Drover’s Wife: The Legend of Molly Johnson
The Woman King (Runner-Up)
Women Talking

ACTING AND ACTIVISM AWARD
Geena Davis
Frances McDormand
Nichelle Nichols

LIFETIME ACHIEVEMENT AWARD
Angela Lansbury
Rita Moreno

PREMIOS DEL JURADO

MEJOR HEROÍNA DE ACCIÓN: Keke Palmer, Alice
VALENTÍA EN LA DIRECCIÓN: Olivia Wilde, Don’t Worry Darling
VALENTÍA EN LA INTERPRETACIÓN: Danielle Deadwyler, Till y Anamaria Vartolomei, Happening
MEJOR REPARTO: The Woman King
MUJER INVISIBLE: Charmaine Bingwa, Emancipation
JOYA OCULTA: Amitabh Reza Chowdhury, Rickshaw Girl y Nana Mensah, Queen Of Glory
MUJERES SALVÁNDOSE A SÍ MISMAS: The Janes
PEOR MADRE DEL AÑO: Blonde, Julianne Nicholson as Gladys
HALL OF SHAME:
*The Gotham Awards. For removing the category Best Actress, in the further erasing of women.
*Anatomy Citation. “It doesn’t matter how much I do, I’m still not going to get paid as much as that guy, because of my vagina.” – Jennifer Lawrence speaks out against the continuing literal shortchanging of actresses – regarding Lawrence paid five million dollars less than Leonardo DiCaprio for “Don’t Look Up,” and less than the male cast Bradley Cooper, Christian Bale and Jeremy Renner for “American Hustle.”
*Cringe Citation. Harvey Weinstein’s shameful audiotape recordings. And being reminded of them/him in “She Said.”
*Too Much Information Citation: Emma Thompson, for “Good Luck To You, Leo Grande.”
*Blonde. For depicting only the worst fantasies about Marilyn Monroe, and none of her beauty, grace and intelligence.
*More Blonde. A film that re-exploited Marilyn Monroe and made me feel bad for her. She never had a chance in a man’s world, and this film exploited her again through the unnecessary explicit scenes.
*And More Blonde. An overrated actress romping through the film exposing herself. And why the constant showing of embryos, is it to champion pro-lifers.
*Even More Blonde. Completely inaccurate. The portrayal of the actress is shallow and cliched, and the part of the speaking embryo comes across as a disquieting anti-abortionist statement. 
*She Said. A drama about the NY Times investigation into the sex charges against Harvey Weinstein, “She Said” comes off more as a self-congratulatory promo for the NY Times, than emphasis on its victims and intimating a kind of damage control there for its own numerous scandals – the weapons of mass destruction hoax, and most recently calling for the release of Julian Assange –  without an apology for the paper’s media participation in orchestrating his incarceration.
*The Cannes Film Festival. For disrespecting credentialed Deadline critic and distinguished WFCC member Valerie Complex, treating her with racist implications as an intruder there. On Being Black At Cannes: How Microaggressions Marred My Festival Experience
*Shame On DOC NYC. For announcing then scrubbing the name off their public list, secretly inviting as guest of honor a cinematographer from the Ukraine Neo-Nazi Azov Battalion, Dmytro Kozatsky, who sports Nazi tattoos, and is fond of creating photographs of swastika carved pizzas, while dragging out from the premises a young woman protesting the event.

2 comentarios to ''Ganadoras de los premios del Women Film Critics Circle"

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  1. Me muero con la sala de la verguenza jajaja, odiaron Blonde y odian a Ana de Armas.

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  2. Es una pena que no reconozcan a una mujer hermosa solo por sus complejos. No querer aceptar como funciona el mundo es el más grande error del activismo femenino. Hay espacio para todo en el mundo.

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