Festival de Venecia: Bradley Cooper cubre el expediente en 'Maestro'
La carrera como director de Bradley Cooper sigue inmaculada. Tras el éxito de 'Ha nacido una estrella', el nominado a nueve Oscars ha vuelto a convencer a la crítica con 'Maestro', su particular homenaje a la figura de Leonard Bernstein. Las críticas que llegan desde Venecia han destacado la labor de dirección de Cooper incluso más que su interpretación, mientras que el punto débil de la película estaría en su guion. Bradley se mantiene vivo en la lucha por el Oscar al mejor actor pero su condición de favorito indiscutible pende de un hilo. La que va a salir muy reforzada de Venecia es Carey Mulligan, considerada por muchos como la verdadera MVP de la película.
'Maestro' ha debutado con un 82 en Metacritic y un 95% en Rotten Tomatoes con un 8,1 de nota media.
#Maestro will be Netflix’s big Oscar contender this year. Expect it to rake in the nominations for Bradley Cooper (as director, actor, producer and screenplay) and Carey Mulligan, who delivers one of the best — and most soulful — performances of her career. #Venezia80
— Ramin Setoodeh (@RaminSetoodeh) September 2, 2023
MAESTRO has its virtues. Some evocative images that hint at the colossal tensions beneath a compromised marriage. But it’s too sketchy, too timid and too burdened by Cooper’s unnecessary impersonation. Will just about do. #Venezia80 pic.twitter.com/afcwI3P6Qg
— 🥃Donald Clarke📽️ (@DonaldClarke63) September 2, 2023
Bradley Cooper again demonstrates an assured directorial hand in MAESTRO, starring alongside Carey Mulligan in a forensic study of Leonard Bernstein’s unconventional marriage in which the bold risks pay off big time. My @THR review of the #Venezia80 entryhttps://t.co/0yvLdFjko2
— David Rooney (@DavidCRooney1) September 2, 2023
Bradley Cooper funnels himself into the project at every creative level with #Maestro — but this handsomely made Oscar-tailored package actually belongs to another person entirely, and that would be Carey Mulligan. Read our #Venice review: https://t.co/wE96suqhUT pic.twitter.com/GxNSi28gjq
— IndieWire (@IndieWire) September 2, 2023
MAESTRO shows Bradley Cooper’s improving skills as a director. The imagery he creates is stunning, which also captures great performances from him and Mulligan. Fantastic chemistry. There’s so much energy that soon dissipates, leaving the narrative awkwardly assembled at the end. pic.twitter.com/851g44uNDe
— Josh Parham (@JRParham) September 2, 2023
Bradley Cooper has proven himself a confident director and takes some risks with Maestro that really pay off. And he somehow juggles giving an incredible performance as well. VF’s review: https://t.co/bU2oS1YQfv
— Rebecca Ford (@Beccamford) September 2, 2023
Bradley Cooper’s Maestro is sublime. His confidence and maturity as a filmmaker have grown significantly since ASIB. He has a tender, delicate and passionate touch both in front of and behind the camera. He and Mulligan have spellbinding chemistry together. Expect award noms… pic.twitter.com/f4gTRmO2FR
— Luke Hearfield @ Venice 🎥🍹🇮🇹 (@LukeHearfield) September 2, 2023
